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April 7, 2012

Housefull 2 review: It's just a bad movie


Yuck it sucks. Naturally. So this guy with a smile smoother than silk tells two of his ilk, “You langoors, have my angoors.” There’s much to-do about teri leli and phati for that double entendre titillation. And above all there’s this classic line, “Your brains have piles, or what?”
What indeed! Sajid Khan’s Housefull 2 also gets into sandaas, burps, stinks and sour belches. Truly this purported situational comedy relies so much on toilet humour that it’s likely to leave your tummy rumbling. Sorry this isn’t cinema, here’s just another execrable, knockabout farce hacked out by a director who may score a hit, and then trot out half a dozen interviews, guffawing, 'Who cares about the critics?' with the shallow addendum, “I make movies for the masses.” Yeah right, good luck Mr. Khan with your mission:*2#*!
Like the mindless potty-pourris of David Dhawan of yore (please don’t make a blasphemous comparison to Manmohan Desai), Khan cares a damn for the story material, good taste, editing and sound. As for the visuals, they are either blotchy or the colour of street ice golas. Ugh.
Women are showcased as bouncy dimbettes from the outset, what with two female animal activists, barging into a London circus. How the two Lipstick Lassies bicker about who should get the credit for talking in Hindi to blue-eyed Britons. In fact, it would seem that the Queen’s City has been entirely colonised by Indians. Presumably, the Brits have been taking Hindi language tutorials to fit into an NRI-controlled economy. How’s that for wishful thinking?
Anyway, so there you are in horrendously photographed London, trying to make sense of the warfare between two Kapoor brother (Randhir-Rishi Kapoor). Senior Kapoor is the illegitimate son of a rather feeble-looking white statue, while the other K shouts out loud about his pure pedigree. Both believe they will score over the other by finding a groom for those anti-circus daughters from the Hinduja, Mittal or JD families. Haiiiinh?
Of these, Forbes lists JD in his lungi kurta as the Man of the Year (Mithun Chakraborty, ha ha). Shhhhh, don’t tell anyone but this JD is actually Jagga Daku, a dacoit who went straight and made pots of pounds, shilling and pence. Now he shampooes a spotted white horse every morning and woe betide, tolerates a running commentary on nothing in particular from his flunkey Johnny Lever. By now, you’re fed up, running a fever.
Next: it’s all quite foggy actually, except that during a matchmaking session with an old man wearing furry ear muffs, is insulted by one of the Kapoors. Ear Muffs lands in hospital. His son (Shreyas Talpade, the only decent actor on the scene vows vengeance). As your lousy luck would have it, Ear Muffs Jr’s best friend and collaborator in the vendetta plan is none other than JD’s only son (Riteish Deshmukh). Complicated? You bet. After reels and reels of yelling and screaming, the Daku’s stately manor is packed with con guys (Akshay Kumar-John Abraham) who’re trying to make out with only the screenplay-alone knows which girl (Asin, Jacqueline Ferandes, Shazahn Padamsee and Make-up Galore). At one point, all their photos are pinned on a board just in case you’re lost. Or you’re down on your knees begging for mercy. Yipes.
More: tolerate if you can, a crocodile who needs a quick-fix dentist, a python who’s referred to as Francis Ford Sappola and an entire farcical section set on a desert island, to recreate a bit of the Kaho Na Pyaar Hai flavour. In vain. Much more: Item empress Malaika Arora-Khan shows up to tantalise Mithun Chakraborty and Boman Irani, who suddenly drops in from the high heavens. Is Mithunda or apro Boman her prime choice? Perhaps that’ll be revelead in Lousefull 3. Shudder.
Flaunting the attitude that his film – or whatever – is brazenly asinine, Khan even seems to believe that the mention of the Mumbai suburb, Bhandup, is rib-tickingly funny. Ditto the smatterings of Marathi and Sindhi. Oldtimer Ranjit fetches up to play the part of Daddy Th-e-rapist. And frequently when Rishi Kapoor is in frame, the background music tinkers around with themes from the great RK films. Oof.
No one’s performance is likely to be remembered. Correction: Chunky Panday as a Mr Pasta is so nerve-wracking that you might need to be on medication immediately. Riteish Deshmukh either hams or apes Shah Ruk Khan. Desi boyz Akshay Kumar and John Abraham are stale as yesterday’s Shepherd’s pie.
Enough is enough. Over to Mr Khan for his mandatory, “I don’t make movies to get good reviews.” Sure. He just makes bad movies. Period.

Ishaqzaade release advanced to May 11


The release date of Ishaqzaade, starring Parineeti Chopra and newcomer Arjun Kapoor, has been advanced from May 18 to May 11, resulting in a clash with Dangerous Ishq. The decision to release the romance drama a week earlier came in after much thought by production company Yash Raj Films (YRF).
"With 'Ferrari ki Sawaari' moving to a later date and the IPL (Indian Premier League) crunch matches starting from May 18, this shift will give 'Ishaqzaade' a better window for release," said a statement from YRF.
The movie tells the story of two fiery characters and their fight for power and supremacy.
Written and directed by Habib Faisal of Do Dooni Chaar fame, the film narrate how two people who are born to hate, and destined to love, come face-to-face with each other.
With the shift in release date, "Ishaqzaade" will clash with Vikram Bhatt's Dangerous Ishq, which marks the comeback of Karisma Kapoor to Bollywood after five years.

Titanic 3D — On board, once more


A love story and a doomed ship that have out-sailed time …Titanic 3D enthrals with its blend of spectacular visuals and old-fashioned melodrama
“Are you ready to go back to Titanic,” was the question treasure hunter Brock Lovett asked a 100-year-old Rose, over 15 years ago, when the film first hit the screens.
Were she alive today, Rose would have recalled, “It's been a 100 years... I can still smell the fresh paint. The china had never been used. The sheets had never been slept in...”
The real Titanic sank exactly a 100 years ago, on April 15, 1912.
Such is the magic of cinema. It almost makes us believe that Jack and Rose really lived, loved and made every moment count on board the Titanic.
And we can say the same thing Rose says about James Cameron's film today: “How extraordinary. It looks the same as the last time I saw it. The reflection has changed a bit.” Because, it's in 3D this time.
Cameron fought hard to bring his painstakingly-detailed passion project alive on the big screen fighting all kinds of pressure — mounting budgets, studio's reservation about the length and the mind-boggling logistical nature of the mammoth production. He not only told the studio he would forfeit his remuneration, he even refused to give in to pressure to cut one full hour from its 194 minutes run-time. “If you have to cut my film, you have to fire me. And to fire me, you'll have to kill me.”
Everyone had written it off and Cameron found himself in the shoes of Jack at the poker game at the beginning of the film. “When you got nothin', you got nothin' to lose.”
Cameron wasn't hoping for luck. He believed in it, like its villain Cal Hockley said: “I make my own luck.”
His Titanic turned out to be the ship of dreams that didn't sink. It went on to break all kinds of records and continues to be the film that has sold more tickets than any other film in the history of cinema. And still sells, given the house-full shows it opened to on Friday.
It was like being on sail once again, inside the doomed ship. Nostalgic, special, inexplicably beautiful and magical.
Like Rose described Picasso: “It's like being inside a dream or something. There's truth but no logic.”
Titanic is full of lines you will never forget. They weren't the best written lines and Cameron himself wished he had written it better. But the truth is that no other film of our times packs as many memorable quotes as Titanic does.
“I'm the king of the world,” probably being the most popular of them all, associated with Cameron's acceptance speech at the Oscars. Titanic went on to win 11 out of the 14 Oscar nominations, a whopping harvest.
So what is it about Titanic that everybody loves?
Spectacularly beautiful and epic in scale, the film just used all that was great about its production as a mere backdrop for the love story that gave the film its heart. Leonardo DiCaprio and Kate Winslet shared a terrific chemistry and the erotically charged frames made it impossible for us to not appreciate the sheer beauty of this forbidden romance between the engaged rich girl and the poor artist boy.
Jack stood for free spirit: “I got everything I need right here with me. I got air in my lungs, a few blank sheets of paper. I mean, I love waking up in the morning not knowing what's gonna happen or, who I'm gonna meet, where I'm gonna wind up.” And Rose loved that freedom.
It's a dynamic with timeless appeal. The more modern, materialistic and busy we get making a living, we have the Jacks remind us about the basics of living a life. “Make every moment count.”
How can you not love a love story that celebrates the selflessness of love. “You jump, I jump, remember?”
It's a finale that chokes us every time we see it. The proof that love can keep us afloat even when there are people dying all around us. We must survive so that we can make the most of our lives. I was far away from any movie theatre showing Titanic when it released and remember watching it at a video parlour in Manipal. I have caught it many times since on TV. But nothing, I repeat nothing, matches the impact it leaves when you watch the epic unfold on the big screen. If you still haven't got yourself a ticket, do it.
Plus, you don't have to worry about crying your eyes out in public at the beautifully tragic sight of the Titanic drowning theatres anymore.