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July 19, 2012

Rajesh Khanna: The superstar laid to rest; grandson Aarav lights pyre


Rajesh Khanna’s Cremation at Vile Parle, Mumbai


Mumbai: As thousands thronged the streets of Mumbai, India’s first superstar Rajesh Khanna made his final journey from his cherished home ‘Aashirwad’ in Carter Road in Mumbai towards Paramhans crematorium in Vile Parle.
Rajesh Khanna's Cremation at Vile Parle Mumbai

Fans threw flowers at the glass casket in which Khanna’s body was placed and walked along with the cavalcade that carried the star. Accompanying the star on his final journey was his estranged wife, actress Dimple Kapadia, elder son-in-law Akshay Kumar, younger daughter Rinkee Khanna, her husband Sameer Saran and grandson Aarav. 
 
The star’s funeral procession began around 10:15 am on Thursday morning and reached the crematorium at around 11 am. The last rites were performed by Twinkle Khanna and Akshay Kumar’s son, Aarav. 

"Aarav lit the pyre and Akshay Kumar assisted him," the late superstar`s close friend Vijay Zaveri.

Braving the rain, thousands of fans gathered to pay tribute to Bollywood`s first superstar Rajesh Khanna. Celebrities like Karan Johar, Rani Mukerji, Kareena Kapoor, Karisma Kapoor,Abhishek Bachchan and Amitabh Bachchan were also present at the crematorium.

Frenzy as fans bid adieu to superstar

Fans join the funeral procession of legendary actor Rajesh Khanna in Mumbai on Thursday. Photo: Shashi Ashiwal
Fans join the funeral procession of legendary actor Rajesh Khanna in Mumbai on Thursday.
Thousands throng the streets and follow the funeral procession right from the actor’s residence
A mass frenzy of sorts was unleashed on the streets of Mumbai on Thursday as thousands of eager fans and onlookers poured onto the streets to get a last glimpse of legendary superstar Rajesh Khanna. The veteran actor passed away at his residence on Wednesday.
Mr. Khanna’s body was adorned with garlands of white roses, mogra and chrysanthemums. It was enclosed in a glass case mounted on a truck decorated with flowers. The funeral procession began from Mr. Khanna’s bungalow, ‘Aashirwad,’ on Carter Road in suburban Bandra.
Dimple Kapadia, Mr. Khanna’s wife, his daughter Rinkie, his son-in-law and actor Akshay Kumar, and grandson Aarav led the funeral procession on the truck to the crematorium at Pawan Hans in Ville Parle. His other daughter Twinkle Khanna, who is pregnant, was not seen at the funeral.
The procession arrived at the final destination at 11.15 a.m. Mr. Khanna’s last rites were performed by Akshay Kumar, who was accompanied by Aarav.
The road outside the crematorium teemed with humanity. The skywalk that rose over it was jammed with people and media cameras. Thousands thronged the streets and followed the procession right from the actor’s residence.

SERENDIPITOUS MEMENTO


One such fan was Mohammad Rafique. It was a delirious moment for him when a plastic sheet that covered the case in which Mr. Khanna was kept flew in his direction.
“I was running behind the truck,” Mr. Rafique told The Hindu, hugging the plastic sheet.
“This flew off and I grabbed it. I will always cherish it as a memento of the superstar.”
A dejected Sayyed Baby Sheikh held a garlanded poster of the star and waited patiently among the sea of people. “Aapke bina Bharat adhoora [Without you India is incomplete],” the poster read.
“I made this poster on Wednesday. I am his fan. I did not get a chance to meet him. I am very unhappy about his demise. I have been carrying this garland since Wednesday. I went to his house and now I came here, but the police did not allow me to see him. I think when such superstars pass away the government should organise condolence ceremonies at bigger places like Shivaji Park or Azad Maidan, so that everyone can pay their last respects. I am unhappy that I could not pay a tribute. I saw him for the first time on the truck, but my garland of flowers could not reach him. I will always regret that. May God give him peace. He is everybody’s favourite. I have his photos at home. I am mad about his songs,” Mr. Sheikh told The Hindu.
A large number of fans turned up from the neighbouring state of Gujarat. “Some 51 luxury buses have come from various parts of Gujarat,” Kushal Singh, a fan of Kakaji [as Mr. Khanna was fondly called] from Ahmedabad told The Hindu. The Gujarat contingent marched, carrying a garlanded photograph of the veteran actor, shouting,“Long Live Rajesh Khanna!’ and ‘Rajesh Khanna Zindabad!’
People raved about Kakaji’s songs, his idiosyncrasies and dialogue delivery. Snatches of songs and dialogues were being enacted at various spots.
Datta Waghmare from Vashi in Navi Mumbai took a day’s leave from his clerical job at a school. “I love the way Mr. Khanna blinked his eyes and his hand gestures. He had a natural appeal. When I learnt of his demise, I shed tears,” Mr. Waghmare told The Hindu.

THE DARK LINING

However, there was a dark lining to this outpouring of sentiment as, overcome by mob hysteria, the crowds caused a ruckus, posing and cheering in front of the cameras and robbing the poignant occasion of its dignity. Eager onlookers mobbed each passing car and the police had as difficult a time managing them as the creeping traffic. Continual scuffles broke out among the police, onlookers and the media.
There was much shoving and pushing for the entire duration of three hours that the funeral lasted and even after that. Onlookers perched on the skywalk, in the nooks of its metal frame, on trees, rooftops, road dividers and compound walls.
At one point the police resorted to lathi charge to control the crowds. A steady downpour made matters worse.

HEAVY BANDOBAST

Heavy bandobast was deployed at the crematorium. Police vans were stationed and teams of local and riot police were pressed into service. Traffic crawled in the western suburbs and massive jams brought a part of the city to a halt.
Many Bollywood personalities including Amitabh and Abhishek Bachchan, Raj Babbar, Karan Johar, Kabir Bedi, Aditya Chopra, Shakti Kapoor, Manoj Kumar, Rani Mukherjee, Vinod Khanna, Sajid Khan, Randhir Kapoor attended the funeral.
Maharashtra Chief Minister Prithviraj Chavan also paid his last respects to the legend at ‘Aashirwad.’
Amitabh Bachchan pays blog tribute to Rajesh Khanna
Amitabh Bachchan, who co-starred with late actor Rajesh Khanna in Anand and Namak Haraam, wrote a moving tribute to him on his blog:

I first saw him in a film magazine, perhaps Filmfare. He was the winner of the Filmfare-Madhuri Talent Contest, a contest that I had applied to in the coming year and been rejected. His film 'Aradhana' was my next meeting with him, at the Rivoli Theatre in Connaught Place in New Delhi, which my Mother took me along to see. The packed audience and their reactions to this young handsome man was impermeable.

The early, or shall I say preliminary rejection of my attempt to compete in the Filmfare-Madhuri contest, had made me leave my settled job in Calcutta. I had come away home to seek the possibilities of joining the Industry in some other way. But one look at Rajesh Khanna made me realize that with people like him around, there would be little chance or opportunity for me, in this new profession !

When I got my call for 'Saat Hindustani' I travelled to Bombay, got the role and went back to start its shooting. My friendship with one of the Hindustani's, Anwar Ali, brought me in the vicinity of his illustrious brother Mehmood. Mehmood bhaijaan's presence in the Industry and his own very large standing, gave me an opportunity to get an informal meet at one of the shootings of Rajesh Khanna. It was a very formal hand shake and that was it - a routine for him, an honor for me !

Soon after I was being cast opposite him in 'Anand'. This was like a miracle, God's own blessing and one that gave me 'reverse respect'. The moment that anyone came to know that I was working with THE Rajesh Khanna, my importance grew. And I gloated in its wake. During the breaks in the shooting of the film I would return to Delhi and gleefully describe the scenes and dialogues of the film, as also its music to all that I met - and I met many during that time ! There were no CD's then, just the spooled tapes, and getting Hrishi da to part with one such for me, was an exercise in futility. But I was able to get one and 'kahin dur jab din dhal jaae ..' played endlessly on my very repair stricken tape recorder.

He was simple and quiet. Would sit in the front seat of his modest Herald, driven by his man-friday Kabir. He would attract many visitors on set and was continuously surrounded by them - Hrishi da permitting ! The frenzy and the following he garnered was a sight to behold. In the 1970 era his fans came from Spain to meet him - a most unheard of occurrence then. In his trade mark Rajesh Khanna kurta pyjama, he almost always looked the boy next door, one that girls would want to take home to Mother. But amidst all this there was a quiet elegance within him. In his boyish plainness there was something that was regal in his demeanor. It was the magnet that attracted others to him - who at times were almost servile to him in nature.

My observation above, does not do justice to what I wish to explain. But then, that itself could be that unspoken accomplishment of his.

I visited his residence 'Aashirwad' just once when we were working together, to wish him on his birthday, only to realize when I reached their, that I had come in a day earlier. He was magnanimous enough to understand my awkwardness and asked me to stay back ; then after a while driving me to Shakti Samanta's ( who made 'Aaradhana' and many other films with him, and 'Great Gambler' and 'Barsaat ki ek Raat' with me ) house to join him for dinner ! The next day on his birthday he hosted me again. Many many years later he had called me to his office to seek the possibility of working for his production, which did not materialize. Then of course my last meeting with him was when IIFA decorated him with a LifeTime Achievement Award and asked me to present it. His gracious words for me still resound.

When the shooting of 'Anand' began at Mohan Studios, Hrishi da's favorite locale, now a concrete housing colony, the one moment that always worried me was, that last scene when I break down after his death and urge him emotionally to speak ! Not being able to find a method in my own very limited acting experience, I sought the help of Mehmood bhai, in who's house I was living with his brother Anwar Ali. And I still remember what he told me -

He said, "just think Amitabh, R- a- j- e- s- h K- h- a- n- n- a is dead !! and you will get everything right".

It was not so much a tutorial in acting that he expounded. It was an exalted acknowledgement of Rajesh Khanna's presence and position in the psyche of the nation, that he was drawing my attention to.

That is how Rajesh Khanna was looked upon from the day he started till his last breath. Times changed, people changed, circumstances changed, but Rajesh Khanna always remained his quiet, elegant, regal self !

As I sat at his home this afternoon, to pay my respects, soon after learning of his passing away, a close functionary of his, came up to me and told me in a choked voice what his last words were -

"time ho gaya hai ! Pack Up !"
Yes Kaka, aapke fans aapse koi nahi chheen sakta.


July 18, 2012

'Achcha to hum chalte hain': Remembering Rajesh Khanna


Rajesh Khanna: Bollywood first Superstar

From the dizzying heights of fame to quiet shadows behind the arclights, Rajesh Khanna's life had a theatrical sweep, almost like one of his films. Bollywood's original superstar - simply the phenomenon to some - died in Mumbai Wednesday, leaving behind memories cast in celluloid of that famous crooked smile and head tilt. He was only 69.

In an era long before this age of instant connect of mobile phones and internet, Rajesh Khanna was the man who sparked a frenzy never seen before and never since, not even by the likes of Amitabh Bachchan.

His very name spelt magic in the 1970s. He sparked hysteria, particularly amongst his legions of women fans, who would line the road for a glimpse, chant his name, cover his car with lipstick marks and even write him letters in blood. They got married to his photograph, cut their finger, let the blood flow and applied 'sindoor'.

Truly, "O mere di ke chain"!

Kaka, as he was popularly known, was one of the highest paid actors of his time, his record of consecutive solo super hits still unbroken. Who can forget the years between 1970-1979 when he starred in mega hits like "Safar", "Kati Patang", "Sachaa Jhutha", "Aan Milo Sajna", "Anand", "Amar Prem" and "Mere Jeevan Saathi". Ever the urbane, suave romantic who wooed like few others.

Glory and fame galore came his way with the two 1969 films - "Aradhana" and "Do Raaste" - where he teamed up with two of his best co-stars, Sharmila Tagore and Mumtaz, respectively. Both the films were super hits. Hindi film's first superstar was born.

Between "Aradhana" in 1969 and "Prem Kahani" in 1975, Rajesh enjoyed god-like status.

It was all about charisma - a certain something that went beyond the art of acting. He had that unique way of delivering a dialogue, of crinkling his eyes and that interesting head tilt that were all his own - and designed to get fans swooning.

Describing the charm of Rajesh Khanna, Amitabh once said: "I got famous purely because I was working with Rajesh Khanna in 'Anand'. People asked me questions like, 'How is he to look at? What does he do?'"

The mega story had a small beginning in Amritsar. Born Jatin Arora on Dec 29, 1942, he was adopted and raised by foster parents.

He went from being Jatin to Rajesh, thanks to his uncle who changed his name, when he decided to join films.

In 1965, the journey to filmdom started after he won the All India Talent Contest organised by United Producers and Filmfare. He made his debut with "Aakhri Khat" in 1966.

It was a fairly easy road to superstardom after that.

He became the heartthrob of the nation, singing timeless melodies like "Mere Sapnon Ki Rani..." in "Aradhana", "Zindagi Ek Safar" in "Andaaz" or "Yeh Shaam Mastani" in "Kati Patang". Singer Kishore Kumar and composer R.D. Burman were amongst his closest friends.

In his four-decade career, he appeared in about 160 films, of which 106 had him as the solo lead hero and 22 were two hero projects.

Rajesh proved his mettle in offbeat films too. He teamed up with Hrishikesh Mukherjee for the critically acclaimed "Bawarchi" and "Namak Haram". The quintessential romantic also did the intense "Avishkar", directed by Basu Bhattacharya.

But then age caught up and the star began fading away.

He moved to television and played the main lead in two serials - "Ittefaque" and "Apne Paraye" during 2001-02 and also featured in "Raghukul Reet Sada Chali Aayi" between 2008-09.

The decline to B-grade films was inevitable. There was also the sorry "Wafa" with Laila Khan, who was found murdered this July.

He dabbled in politics, being Congress MP from the New Delhi constituency from 1991-1996.

Like the Hollywood legends of yore, the personal life also had a larger than life dimension.

He fell in love with Dimple Kapadia, who was only 16 and whose first film "Bobby" was yet to release. She was 15 years younger to him but the pull was strong and they got married after a whwhirwind romance in 1973.

It was the stuff of tabloid headlines. They had two daughters Twinkle and Rinke. The marriage lasted only 11 years.

It was a lonely life for Rajesh after that. He disappeared from the headlines and appeared to be a shadow of his former self in his rare public appearances.

But the family came together in his last days. His estranged wife was the one who took care of him during his illness. Son-in-law Akshay Kumar was also a great comfort.

Rajesh reappeared in an ad a few months before his death, and once again became the talk of town - he was clearly unwell but the zest in his voice was intact as he intoned "Babumoshai" from his much loved film "Anand".

Like Anand from the film, the man is gone. But the memories will live on.
Filmography As Producer

Some unknown facts about Rajesh Khanna


Here are some facts about Rajesh Khanna's films which most of the articles fail to notify, especially his critically acclaimed superhits and award worthy performances but commercially unsuccessful movies of the period 1976-1991. Aaina, Maalik and Raja Rani were good films which unfortunately flopped.
Aaina was remade by Balachander of his award winning Tamil hit. Plus Mahachor and Shehzada were huge hits at the box office. Shehzada elevated Surinder Kapoor's production house to A grade level(Anil Kapoor's father).Khanna had 35 Golden Jubilee hits in 1967-1975 period and 35 more Golden Jubilee hits in 1979-1991 period. In 1976-78, he had 7 critically acclaimed films which flopped at the box office(especially Tyaag, Mehbooba, Chakaravyuha, Naukri, Palkon Ki Chhaon Mein  though flopped have excellent performances by Khanna and were unfortunate flops.
Even directors of these films accepted this fact) and had 2 more flops which was panned by critics in 76-78 and the 4 commercial hits of 76-78 were Chhaila Babu, Anurodh,Mahachor and Karm. To say that after Namak Haram, Khanna's career went downhill is rubbish, as Aap Ki Kasam, Roti, Prem Kahani, Prem Nagar all came only after Namak Haram.
In 1979, he had Punjabi hit film Til Til Dalekha and Amardeep in Hindi as hits, with which he bounced back. Media does not highlight the solo hit movies of Khanna of 80's properly - Aanchal, Phir Wohi Raat, Bandish , Kudrat,  Dard ,Dhanwan, Prem Bandhan,Fiffty Fiffty,Ashanti,Souten,Avatar,Agar Tum Na Hote,Awaaz, Angaarey,Naya Kadam, Hum Dono,Akhir Kyun, Babu, Bewafai,Adhikar, Shatru, Anokha Rishta, Nasihat, Amrit, Awaam etc..and multi star hits like Rajput, Maqsad , Zamana, Dharm Aur Qanoon  etc....he had 22 silver jubliee hits in 1966-1991 period and 73 Golden jubliee hits in 1966-1991(3 golden jubliee hits in 76-78 period).
Khanna remained a favorite with producers throughout his career. Films like Redrose and Aaj Ka MLA Ram Avtar though flopped were critically acclaimed and Khanna has performed well even in them. Infact every producer has repeated Khanna in their films atleast 3 times...in his career, at different times with author backed role for Khanna eg- BR Chopra had 3 hits with Khanna (Ittefaq -1969, Karm in 1977, Awam in 1987) same goes the case with D Rama Naidu, Shakti Samanta, Yash Chopra, Narinder Bedi, K. Raghavendra Rao, Narayana Rao Dasari, J.Om Prakash, Mohan Kumar etc...So story of big producers shying away from approaching Khanna is a fiction and Khanna has minimum of 4 films releasing every year from 1970-1991.
Another highlight of Khanna's career was" his record in 1985 - 8 superhits off the 11 released as the lead hero" and in year 1985 he also made special appearance in Aar Par(a flop) and had unreleased film Bayen Hath Ka Khel, which had its musical release in 1985. Also his 15 consecutive solo superhits was in period 1969-1971 - and the name of 15 films are Aradhana, Doli, Bandhan,Ittefaq ,Do Raaste , Khamoshi, Safar,The Train ,Kati Patang,Sachaa Jhutha ,Aan Milo Sajna , Mehboob Ki Mehendi,Dushmun ,Anand ,Haathi Mere Saathi.
The 2 hero films like Andaz,Maryada were blockbusters too but not included in 15 consecutive solo superhits and same goes with Choti Bahu, Shehzada and Mere Jeevan Saathi which were given tag of superhits but were released in 1972 after special appearance made by Khanna in Badnaam Farishte had flopped so not inlcuded in calculation of 15 solo superhits.
Khanna was awarded Filmfare Special award in 1991 for having starred in 101 films as the solo lead hero and just 21 two hero films in short span of 25 years.By 2011, he now holds record for actor with most number of author backed lead hero films - 106 solo hero films and only 22 two hero films . Khanna has done 163 feature films and 17 short films (so his total film tally comes to 180 in 40 years as told by Khanna in IIFA awards).

Bollywood's first 'Superstar Rajesh Khanna' passes away

Bollywood actor Rajesh Khanna dies at 69


Mumbai - According to a TV news channel superstar Rajesh Khanna is no more after being critical ill from last few months. Latest reports suggest that all his family members have gathered at his Bandra house and the house has been cordoned off by police officials. The funeral time is 4.30 pm in Mumbai today.

Khanna had been suffering from bad health since some time and buzz had it that the actor's liver had been damaged due to his alcohol addiction.

He breathed his last in the presence of his wife Dimple Kapadia, daughters Rinkie and Twinkle, son-in-law Akshay Kumar, grand children and close relatives.


Rajesh Khanna's last screen appearence
 

July 17, 2012

TIPPA MURDER CASE


Accused gets life term 
Chandigarh, July 17
The court of Additional District and Sessions Judge Shalini Nagpal, based on a dying declaration, today awarded life sentence to 30-year-old Minkel Bajaj, alias Balwinder Singh, a businessman from Muktsar, for killing a youth Akali leader from Muktsar in the Sector 9 market here. The court also slapped a fine of Rs 25,000 on Bajaj.

Tripat Deep Singh Sekhon, aka Tippa Sekhon, a youth Akali leader from Muktsar, was shot at the busy Sector 9 market on July 13, 2010.
The court said: “A dying declaration enjoys almost a sacrosanct status, a piece of evidence as it comes from the mouth of a person who is about to die and at that stage, he is not likely to make a false statement. The three proved circumstances in the case -- oral dying declaration of the deceased, call details of the deceased and an established motive are sufficient to bring home the guilt of the accused. There is also evidence in the shape of witnesses that there was political rivalry between the accused and deceased who belonged to the Akali party.”
When Tippa was rushed to hospital, the Akali leader told his sister, her friend and Sub-Inspector Dharampal that Bajaj had shot at him as he wanted to take revenge.
Tippa along with some others had allegedly made an obscene MMS of Bajaj’s sister and circulated it. Though he was initially booked in the case, his name was later dropped from the chargesheet. Bajaj then decided to eliminate Tippa.
The police had arrested Bajaj 15 days after the crime and recovered a .32 revolver and four cartridges from him.
On the day of the murder, Tippa had come to the Sector 7 house of his cousin Paramjit Kaur. At 4.10 pm, he received a call on his mobile phone asking him to come to the Sector 9 market. Bajaj then shot at Tippa, who was rushed to the Sector 16 hospital. He was referred to the PGI where he died.
I am innocent
There is no scientific evidence with the prosecution to prove that I committed the murder. I had met senior Akali leaders seeking an inquiry into the MMS scandal regarding my sister, but that was all. I did not kill Tippa and will appeal before the High Court. The CFSL report proved that the weapon which the police recovered from my possession was not the one that was used to shoot him. There is no eyewitness to the murder and I was not even in the city at the time of the murder. It was a sensational case and the police framed me as they were under pressure to solve the case.